![]() Through gestures of independence and emancipation from established practices, institutions and ideologies. Finally, it illustrates how each one of these factors found a response in Greek film culture ![]() ![]() Result of a combination of factors: the rapid growth and prosperity of the Greek commercial audio-visual industry, the enduring financial poverty and institutional failure of the Greek film sector, new forms of cinephilia, developments in communication and image recording practices derivingįrom new technologies, generational conflict and societal crisis, as well as growing tensions in the Greek public domain between constitutional authority and new modes of articulating public discourse. It explores the driving forces behind the trend, discusses its major characteristics and argues that it is the It shifts the focus to the wider cultural, institutional, technological,įinancial and sociopolitical context and examines this new film trend as one aspect of the much broader changes taking place in the Greek audio-visual sector throughout the 2000s. ![]() This article contextualizes recent developments in Greek cinema, namely the rise of a new generation of film-makers who rejuvenated film-making in Greece and attracted widespread international and domestic attention. ![]()
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